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Barbecue, Bible and Abe chase racism from Mississippi rib joint

By Wayne Drash - CNN

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LARKSDALE, Mississippi (CNN) -- Pat Davis was just 10 years old when two black men came into his father's barbecue joint in the heart of the Mississippi Delta in 1947. A huge fuss ensued, with four racists shouting every name in the book.

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My daddy went over to their table and said, 'These are people who want to eat just like you want to eat. You don't bother them. You leave them alone,' " Davis says, the incident seared in his mind six decades later. "They told Daddy he could lose his business by letting black people come in."

It's not unusual to find a barbecue restaurant in the South where the ribs are so good you want to run home and kiss your mom. But it's a rare find to discover the South's main delicacy cooked up by Lebanese immigrants in Mississippi, who defied segregation and who've been doing it since 1924.

Welcome to Abe's BBQ, a living testament to good eats and to good people, where civil rights were put to the test and won. In the end, racism took a back seat to slow-cooked pit barbecue. Today, Abe's remains one of the oldest restaurants in Mississippi.

It's named after founder Abraham Davis, who arrived in Mississippi from Lebanon in 1913 when he was 13 years old.

Abe's sits at The Crossroads, the landmark spot at Highways 49 and 61 in Clarksdale where legend has it that blues king Robert Johnson sold his soul to the devil. Two giant guitars jut into the sky marking the spot where the deal went down.

You might be pausing here. Lebanese in Mississippi? Defying segregation? Sounds like something out of William Faulkner's Yoknapatawpha County.

As you sit down with a platter of ribs this Labor Day weekend, this is one barbecue story you might enjoy over cole slaw, baked beans and beer.

The town of Clarksdale is located about 70 miles southwest of Memphis, Tennessee, with a population of about 20,000 people. It was once known as the "Golden Buckle in the Cotton Belt," complete with Lebanese, Italian, Chinese and Jewish immigrants along with local blacks and white plantation owners.

Much of the immigrant population has moved on. The town these days is perhaps best known for the Delta Blues Museum and for the nearby Ground Zero Blues Club, co-owned by actor Morgan Freeman. Blues purists may point you around the corner to Red's juke joint, a ramshackle place where raw Delta blues oozes from the walls. On this night, Eli Paperboy Reed and the True Loves brought the house down.

But it's Abe's that has stood the test of time. Abraham Davis started his pit barbecue as the Bungalow Inn in 1924. It moved to its current location around 1936, and Pat Davis renamed it after his father in 1960.

Davis says being an immigrant -- or in his case, the son of immigrants -- gives one a better respect for all people. "It was a humbling feeling, and we knew how the blacks must've felt," he says. "Being Lebanese, my parents weren't truly accepted as first-class citizens when they first got here."

Andrew Clark, a 58-year-old African-American, worked at Abe's from 1962 to 1990, beginning when he was 16. He says Abe's is a symbol of great barbecue and a shrine to the civil rights struggle.

"They didn't see us as colored. They saw us customers," Clark says. "It didn't matter whether you were white or black ... I never seen them turn down anyone."

Sometimes he'd hear racist comments from white customers. When that happened, Pat Davis always stepped in. "The whole family is really, really great people," Clark says. "This place really has good roots to it."

Pat Davis refers to the Rev. Martin Luther King Jr. as a prophet, "because any time you change things for the better, you've got to come from God." He says change didn't come easy. Many of the local blacks, he says, didn't want his family to be harmed, so they often followed segregation laws. It was when blacks from out of town came that things began to change.

"They would come through the front and inside," he says. "My daddy never refused anyone no matter what color, race or religion. That's my philosophy as well."

He says his father, who always carried a Bible written in Arabic, was "just doing the right thing."

A hand-painted mural on the wall of Abe's depicts a pig with a fiddle in his hand, a pork sandwich and beer at his side. The hog is grinning from ear to ear, much like Abe's faithful customers over the years. "He's satisfied even though he's eating one of his kinfolks," Davis says with a chuckle.

If you're in Clarksdale but not in the mood for barbecue (something's wrong with you, if so), then you'll want to head just up the road to an even more authentic Lebanese restaurant. Rest Haven dishes out kibbe, grape leaves and a host of other Lebanese delicacies, along with traditional American cuisine.

Chafik Chamoun, a first generation Lebanese-American, established Rest Haven in 1954. Like Abe's, Chamoun says he has always welcomed people of all races. He peddled wares to black workers on plantations when he arrived in the United States, and learned to see past skin color at an early age. "I made a living with the black people all my life," he says. "I never refused one of them."

"Most people tell me how glad they are that I serve them, that my business is here," says Chamoun, 75.

I pause and tell Davis and Chamoun that stories like theirs aren't celebrated enough in Mississippi, that "all we hear about is bad sh--" coming from these parts.

The men burst into laughter. They nod with approval. They say their message is one of love, honor and respect.

And, oh yeah, one more thing: Great food.

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A great day with Green Day: Santa Cruz kid pulled on stage to play in concert

By WALLACE BAINE

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You don't get pulled out of the stands at AT&T Park and put in to play center field for the Giants. You don't get a call from the White House inviting you for a lunch with the president just to chat about whatever's on your mind. And you don't just get invited to play guitar with one of the world's most popular rock bands in front of 50,000 screaming fans.

The world just doesn't work that way. That's why we dream at night. That kind of stuff never happens.

OK, almost never.

Sixteen-year-old Santa Cruzan Rory Freeman is living proof that those incredible, fantastic, amazing, serendipitous experiences sometimes do happen. On Aug. 18, Rory went with his dad Tracy Freeman and his friend Sasha Gianotti to see the immensely popular band Green Day at the HP Pavilion in San Jose. Before the night was done, Rory found himself on stage with the band playing guitar on one of the band's signature anthems "Jesus of Suburbia."

Good luck? Maybe. But, said the Freemans, Rory's experience as a temporary member of Green Day was due mostly to good preparation.

He went to the concert with a plan.
"I told myself that I wasn't going to set my heart on it," said Rory, reflecting on the night he played nearly the entire nine-minute song with the band before stage-diving into the crowd to make his exit. "If it happens, great. But I wasn't counting on it."

Green Day, the multi-platinum Bay Area-based trio known for their anthemic rock albums "American Idiot" and "21st Century Breakdown," has habitually pulled fans out of the crowd to join in on a song. Rory knew that. But he also knew how to maximize his chances at being chosen for the honor.

"He watched all these YouTube videos of Green Day concerts," said his dad, "and what he learned was that frontman Billie Joe Armstrong would always choose from a certain area just out front of the stage."

So the Freemans waited in line to buy the best floor tickets they could get, arrived long before the concert began and staked out the best position on the floor of the arena to get noticed by the band when the time came.

"So, when the band came out," said Tracy, "there were about 2,000 people just surging up to be closest as possible to the stage. But we stood our ground. We knew the spot where we had to be."

Finally, when Armstrong made the altar call from the stage, Rory stood and unfurled a large banner he had brought with him that read "I know how to play Jesus of Suburbia.'" Still, Armstrong almost chose a 10-year-old boy for the big moment. What sold the deal for Rory Freeman was his T-shirt that featured the logo for the 1980s-era hardcore punk band Husker Du, one of Armstrong's favorite old-school groups.

Rory was brought on stage, where he was given one of Armstrong's guitars, a 1950s-era Gibson Les Paul. With thousands of fans cheering and his idols standing close by, it's a wonder the young man didn't faint. But, he said, it felt comfortable.

"I almost worship this band," he said. "And I know their music so well, it felt just like playing with your family."

The moment has already been immortalized on YouTube, and Rory said that he's been the object of some rather intense envy among friends "My non-musician friends think it's awesome, but my musicians friends are pretty jealous.". He's hoping that the experience and the accompanying publicity about it might help him in a goal that he hopes might put him in Billie Joe Armstrong's shoes: to form a band. He and pals Tara Sjarif and Evan Bennett are forming a band. All they need is the last missing piece.

"Maybe this can help us find a drummer," he said.

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Mongolia Welcomes Golden Boy Kh.Tsagaanbaatar

Written by Kh.Ganchimeg

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Mongolia’s first World Judo Championship 2009 gold medal winner Kh.Tsagaanbaatar returned from Rotterdam Wednesday to be immediately engulfed by an adoring crowd.

President Ts.Elbegdorj invited the ace Judo wrestler to Parliament house within hour his arrival and Kh.Tsagaanbaatar awarded with Gold Soembo medal, Hero of Labor (one of the biggest medal of Mongolia) by President, Ts.Elbegdorj.

Also, Mongolian Prime Minister S.Bayar congratulated and gave Tg30 million to Kh.Tsagaanbaatar. Kh.Tsagaanbaatar is the first world champion in judo from Mongolia.

People like Kh.Tsagaanbaatar are the role models for the next Generation said the Prime Minister S.Bayar.

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The 2009 edition of the Golden Stag starts today

de A.C. HotNews.ro
Miercuri, 2 septembrie 2009

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27 singers and bands from 21 countries will perform, starting on Wednesday night at the Golden Stag 2009, in Brasov, Central Romania. This year's edition will host international singers like Hot Chocolate, Tiziano Ferro and Steve Vai. The music festival comprises six nights: the opening Evergreen concert, the pop, rock nights, the finale of the performance night, the great Gala and the superstar night. The last day is dedicated to Romanian traditional music.

The first three nights - evergreen, pop and rock will have an explosive opening, by the Romanian band Sistem and the Art Focus International Ballet. According to Agerpres, for the evergreen night various Romanian singers are invited like Marcel Pavel, Nicola, Nico, Paula Seling, Delia Matache, Aura Urziceanu and others.

The pop night will host the Romanian Holograf band and, for the rock night, Directia 5 is invited to keep up the atmosphere. The performance night award will be closed by a concert performed by Vama.

The superstar night will host Loredana, Steve Vai and Tiziano Ferro and the last night will host Romanian traditional music singers like Dumitru Farcas, Ionut Fulea and many more.

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Monkeys prefer metal to Mozart

BY MARY VALLIS, NATIONAL POST

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Monkeys are not fans of classical music, but find heavy metal songs by Metallica and Tool soothing, according to new research.

In an effort to understand whether monkeys respond to music, a psychologist at the University of Wisconsin played songs for cotton-top tamarins and studied their responses.

Two university professors in the United States sought to find out whether monkeys would appreciate 30-second clips of music specially created for them more than popular music created for human listeners. Previous studies have found that monkeys prefer silence to any human music with a tempo, including German techno songs and Russian lullabies.

David Teie, a cellist with the National Symphony Orchestra, composed the monkey versions of songs after spending time with tamarins and analyzing the musical structure of their calls. He produced the tracks, which mimic the monkey calls, with the help of an Andrea Castagneri cello crafted in 1738. Teie added artificial harmonics and sped up the playback eight times faster than the original recordings.

Charles Snowdon, a professor of psychology, at the University of Wisconsin, then played the music for seven pairs of monkeys who had never heard music before, hiding the speaker behind a curtain so they could not see it.

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The human versions of songs used in the experiment included 30-second clips from Samuel Barber's Adagio for Strings, Metallica's Of Wolf and Man and Tool's The Grudge. Researchers studied their responses for five minutes after each song played.

"We found that the monkeys responded much more to music written for them and were basically indifferent to human music," Snowdon said from Madison, this week.

But in this case, heavy metal was the exception to the rule. While Metallica and Tool were used as examples of music humans find arousing, the monkeys found the crunchy guitar chords calming. Eating, grooming, and engaging were indications the monkeys were relaxed.

"We just don't quite know what to make of it," Snowdon said. "These are usually very active animals. Their activity was greatly reduced when they heard the Metallica and the Tool music. It could be that it was just so startling that they stopped and couldn't do anything else."

When the primates heard the monkey versions of both songs, on the other hand, they reacted as the researchers predicted they would. The monkeys urinated, shook their heads and stretched, indicating an increased state of arousal.

The results suggests music is species-specific. It may be used to communicate an emotional state and try to induce that same emotional state in the listener, Snowdon said.

The results are published in the journal Biology Letters.

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BTB awards tourism scholarships

By Adolph Lucas

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Tourism continues to lead Belize’s economy, and the need for education and training is greater than ever. The Belize Tourism Board is playing its part in the education process, by awarding tourism scholarships to seven deserving students from across the country.

According to a press release from the BTB, as part of their commitment to the growth and development of young Belizeans, the Board has recently awarded scholarships to seven students who wish to pursue a degree in Tourism.

The recipients are: Andrea Usher, who has been awarded the Jean Shaw Scholarship, which is given to a young Belizean woman who is wants to pursue a tourism career. Usher will aim for a Bachelor of Science Degree in Hospitality and Tourism Management at Galen University.

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This weekend: Uitmarkt, the start of the cultural season in Amsterdam

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Today is the start of the yearly Uitmarkt weekend, the national start of the cultural season, in Amsterdam.
Half a million visitors are expected.
The concept of the Uitmarkt is that the public gets to see small samples, usually 15 minutes, of the performances and shows of the coming season. On a large outdoor market, theatre groups get the opportunity to present themselves.
The (about 450) sample shows are mostly free, and can be seen in many venues and several temporary outdoor stages.

This year the Uitmarkt locations are in the centre of Amsterdam (a map of the area is on the Uitmarkt website, see below).

The opening performance is on Dam Square, 8.50 pm Friday evening.
On Saturday and Sunday there are performances all over the central part of town.
On Sunday, 9.20pm, the weekend is closed off with a 'Musical Sing-a-Long', on Dam Square.

More info is on the Uitmarkt website (mostly in Dutch, with English summary).
A map of locations is on http://www.amsterdamsuitburo.nl/uitmarkt/plattegrond .

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A million-dollar flea market find

By Michael E. Ruane
Inquirer Staff Writer

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It is a collector's dream:
A man goes to a Lancaster County antique market and buys a ragged old painting because he likes its wooden frame. Price, $4.

He goes home, removes the painting from the frame and, there, hidden between the painting and its wood backing, he finds a folded document.

The document, in almost pristine condition, turns out to be one of the first printed copies of the Declaration of Independence.

Value, about $1 million.

"Oh my God!" a local dealer in rare manuscripts said yesterday when told the tale.

But, according to Sotheby's auction house in New York City, the dream is true.

Sotheby's announced yesterday that the document - printed July 4, 1776, and one of just 24 known to exist - was discovered two summers ago by a Philadelphia financial analyst who was browsing at an antique market in Adamstown, south of Reading.

The analyst, a collector of old maps and stock certificates who was not identified, later found the document inside an old painting of a country scene, which he later discarded along with the frame.

He didn't realize its value until a friend who collects Civil War artifacts urged him to have it appraised.

"It took one second to know it was right," said David Redden, vice president of Sotheby's, who authenticated the document. "But what really astonished us was the condition - so fresh, so clean."

Sotheby's said it would sell the document for the owner on June 4. The copy is 151/2 inches by 193/4 inches, on slightly yellowed rag paper printed in black ink. The auction house estimated the copy's value at between $800,000 and $1.2 million.

"Amazing," Linda Stanley, vice president of the collections division at the Historical Society of Pennsylvania, said last night.

"We get calls all the time from people who say, 'I've got this copy of the Declaration of Independence. It's been in my family for a hundred years.' And it turns out to be some crummy facsimile."

Redden called it "the most important single printed page in the world, in the most spectacularly beautiful condition."

Robert Batchelder, an Ambler-based dealer in rare manuscripts, called it "a first edition of the most important document in American history."

"Obviously you can't own the original," which is in government hands, he said. "This is the closest to the original that you can actually get."

And the way it was found "is indeed a wonderful story," Batchelder said.

The Declaration of Independence - the formal announcement to the world that the colonies were breaking away from Britain - was adopted by the Continental Congress in Independence Hall in Philadelphia on July 4, 1776.

"We hold these Truths to be self-evident," its famous second sentence begins, "that all Men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the Pursuit of Happiness. "

A Philadelphia printer, John Dunlap, ran off about 200 copies that night for distribution to the public, the army and the government, Redden said.

Batchelder said it was rare, but not unheard of, for such a copy to surface.

In January 1990, another copy of the Declaration was sold at Sotheby's for a record $1,595,000 to Chicago rare-books dealer Ralph Geoffrey Newman, who was bidding for an unidentified client.

That copy had been in the library of H. Bradley Martin, one of the great book collectors of the century, who died in 1988 at the age of 82.

Sotheby's had estimated that the Martin copy would bring $400,000 to $600,000. The bidding opened at $250,000, moved past $600,000, and then well beyond.

"I figured $1.5 million was enough," Tom Ligenfelter, a Doylestown autograph dealer who bid unsuccessfully, said in an interview last year. It was not.

Newman said of the Martin copy: "This is one of the finest copies in existence."

Batchelder said last night, "The trend in manuscript prices has been very consistently up. There's a fixed supply of these things and a constant increase in the number of people . . . collecting."

"It's basically an interest in American history, an interest in owning a piece of American history," he said.

The first copy of the Dunlap printing ever auctioned was one that was discovered on New Year's Eve 1968 when experts were cataloguing the contents of Philadelphia's venerable Leary's Book Store. Leary's had gone out of business the previous November.

That copy was expected to bring about $35,000. But it was sold May 7, 1969, during a three-minute auction at the Samuel T. Freeman auction house in Philadelphia - for $404,000. A Texas businessman, Ira G. Corn Jr., bought it and gave it to the city of Dallas.

In November, a group of Austrian cultural institutions paid $1.57 million for an original Mozart manuscript discovered last summer in a safe at Eastern Baptist Theological Seminary in Lower Merion.

This copy of the Declaration of Independence was sold at auction two months later for $2.42 million. At the time, it was the highest price ever paid for printed Americana.

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Photo: Watermelon Juice May Be Next "Green" Fuel

ohn Roach
for National Geographic News
August 28, 2009

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Watermelon, the quintessential summer fruit, may soon be helping to fuel your car as well as your picnic guests.

According to a new U.S. government study, juice from unwanted watermelons could be a promising new source for making the biofuel ethanol.

Up to a fifth of all watermelons grown each year have odd shapes or scarred rinds that turn off consumers, said study co-author Wayne Fish, a chemist with the Agricultural Research Service in Lane, Oklahoma.

Instead of picking the fruit, farmers leave these reject melons on the vine.

"If you figure a field of watermelon may yield somewhere between 60 and 100 tons per acre of watermelon, a fifth of that can be substantial," Fish said.

When he and colleagues were experimenting with extracting antioxidant compounds from watermelon juice, they realized the waste stream of sugary fluids could be a source of ethanol.

(Compare the costs and benefits of different biofuels.)

Mobile Homebrew

The researchers brewed several experimental batches of the fruity fuel in the lab and optimized the process to produce about 23 gallons (87 liters) of ethanol from an acre's worth of the unused fruit.

"For average-size growers that have 300 to 1,000 acres [121 to 405 hectares], they may just keep the ethanol themselves and use it in their own production," Fish said.

Larger farms could even produce enough fuel to sell.

However, it doesn't make economic sense to haul the unwanted watermelons to a processing facility. Rather, Fish envisions mobile breweries that go from farm to farm.

"In terms of the actual process that goes on, it is no different than making homebrew," he said, except on a larger scale and with a few special laboratory tweaks.

Watermelon Beer?

When brewing the watermelon biofuel, the researchers were focused on its energy potential, not flavor. But they couldn't resist sampling the brew.

"It's not going to kill you, for goodness sake," Fish said.

Their process tended to produce fusel oils, which give alcohols an "off" flavor.

"Don't expect to see any watermelon beer at your local tavern anytime soon," Fish said, "at least as produced at Lane, Oklahoma."

They Might Be Giants Keeps Pop Kid-Friendly With Smart Science

By Scott Thill - August 31, 2009

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They Might Be Giants continues its cerebral dominance of the pop music world with Here Comes Science, a CD/DVD release created for kids but smart enough for the adults in the mosh pit.

Exclusively available digitally on iTunes and physically on Amazon.com starting Tuesday, the follow-up to John Flansburgh and John Linnell’s Grammy-winning 2008 effort Here Come the 123s builds on the brainy foundation laid down by the band more than 25 years ago. But since the subject this time around is science, They Might Be Giants‘ latest sonic workbook might not go over too well with the intelligent-design crowd.

“Although it wasn’t designed to create controversy, it’s still a big relief to me that the opening track, ‘Science Is Real,’ didn’t raise any red flags with the label,” the 49-year-old Flansburgh told Wired.com in an e-mail interview. “The song freely acknowledges the Big Bang and evolution, and casually conflates angels with unicorns and elves, which might bug some anti-science, pro-angel folk.”

The rest of us need not worry. Here Comes Science is not just a great introduction to the discipline for youngsters; it’s a body-rocking listen for Generation iPod. It doesn’t take more than a cursory hearing of “I’m a Paleontologist” (embedded left) to realize that TMBG’s two Johns haven’t lost their taste for rollicking pop jams, no matter the syllabus. A full-length animated DVD adds light and color to those jams, making Here Comes Science a lesson plan on how to have your creative cake and eat it too.


As Flansburgh’s friend Black Francis once shrieked for the Pixies: “It’s educational!”

“We wanted to be sure to get our facts right, so we brought in a wonderful fellow named Eric Siegel, who is the director of the New York Hall of Science,” Flansburgh said. “Hopefully, that vetting process was rigorous enough to stave off a cultural boycott from the scientific community. We covered mostly the classic stuff: the elements, astronomy, the circulatory system, cells, photosynthesis and the light spectrum. But there isn’t a lot of material about applied science on the album, although there is a song about computer-assisted design that has a mind-bending video on the DVD.”

Not that kids, or their parents, should be using They Might Be Giants’ popular efforts like Here Comes Science, Here Come the 123s or 2005’s Here Come the ABCs as replacements for standard school supplies. Flansburgh is quick to note that They Might Be Giants’ children’s efforts are purely creative exercises like the band’s more adult-oriented releases like Lincoln, Flood and Apollo 18.

They’re also exquisite time-suckers.

“Meeting the demand for kids’ stuff has been kind of monopolizing our time in the past few years,” Flansburgh admitted. “It’s been a lot of work just to keep up. We are very aware that we’re not educators, and these albums are really entertainment. We can’t approach these projects as teaching tools, or pretend they are filling gaps for kids. We even have some issues with the general necessity for kids’ stuff to always be educationally enriched.”

That said, Flansburgh is happy to use the opportunity as an avenue for creative exploration. It’s also great to hear a band making music for kids that isn’t as hard on the ears as the Auto-Tuned fluff found on Here Comes Science’s label, Walt Disney Records.

“It’s not like these songs do anyone any harm or mislead kids,” Flansburgh said. “As songwriting assignments, the themes have actually proven to be great devices. The recent kids’ albums are wide-open topics, which gives us just enough focus to write and still feel very free.”

Artistic freedom has always been important to They Might Be Giants, one of the first bands to fully capitalize on the internet. In its early years, TMBG engaged UseNet groups to spread the word on its catalog, and in 1999 it became the first major-label artist to release an MP3-only album with Long Tall Weekend. In 2004, They Might Giants also launched one of the earliest artist-owned online MP3 stores.

That tech savvy was a logical extension of the two Johns’ clever creation of Dial-A-Song. This early stab at interactivity played hundreds of They Might Be Giants tunes on the band’s answering machine for interested callers. The band moved the service to the internet in 2000, eventually replacing it with podcasts.

But Flansburgh isn’t ready to pat himself on the back just yet.

“I wouldn’t say John or I are early adopters by temperament,” he said. “But starting with phone machines, we discovered the simple pleasures of goofing around with new stuff. The reader of this article probably has a much better idea of what is coming up in the tech world than we do, but we’re still curious about it.

“Seems like the subcutaneous, MP3-playing ear implant should be on some Silicon Valley product developer’s to-do list. And when it’s ready, we’ve got some very powerful music to apply to that device. I hope it comes with some They Live-style sunglasses.”

There’s still much work to be done in the online mediasphere, Flansburgh said: Maybe They Might Be Giants’ next release should contain cautionary tales for artists looking to technology to solve their analog problems.

“Years back, a record company talked us into taking a number of meetings with their ‘new media’ department, which was creating CD-ROMs to work like interactive albums,” Flansburgh recalled.

“Even as emerging technology, the CD-ROM platform quickly revealed itself as very limited. Nothing was easy to program, and nothing seemed like it would be fun to experience,” he said.

“Listening to someone tap out Morse code on a prison radiator pipe probably had about as much entertainment value. On top of our frustration, it emerged the company was looking to our future royalties to foot the bill on the new department’s R&D. The whole enterprise was an abject lesson in the totally jive.”

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BMW’s New Vision: 155-MPH Plug-In Hybrid

By Tony Borroz - August 31, 2009

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We were as shocked as anyone when BMW announced it was quitting Formula 1 to devote more resources to developing cleaner, greener automobiles. There was some skepticism, but BMW wasn’t blowing green smoke. It’s serious about building eco-friendlier pavement-peeling cars.

First up is a slick 356-horsepower all-wheel-drive plug-in diesel-hybrid concept that BMW claims accelerates like an M3, sips gas like a Toyota Prius and can go 31 miles on battery power alone. It’s called the Vision Efficientdynamics Concept, and we’ll see it later this month at the Frankfurt auto show.

No, Vision Efficientdynamics Concept doesn’t exactly roll off the tongue. But the name aside, BMW has a dynamite idea on its hands here.


The EfficientDynamics is a 2+2 four-door hybrid that combines M Series performance with better fuel efficiency and less emissions than you see in many compacts. BMW performs this magic by marrying its ActiveHybrid technology with an extremely economical engine and excellent aerodynamics. The result is a concept car with a top speed governed at 155 mph and a zero-to-62 acceleration time of 4.8 seconds. More impressive, the car gets 62.2 mpg and emits a Prius-like 99 grams of CO2 per kilometer.

Power comes from a 1.5-liter direct injection 3-cylinder turbodiesel engine and an electric motor on each axle. The engine was small to squeeze in between the rear seat and the rear axle, which should make the Efficientdynamics Concept very agile. The diesel puts out 163 horsepower and 214 pound-feet of torque. Add in the motors and total output is 356 ponies and a stump-pulling 590 pound-feet, though you can only get that much power in short bursts. The car has all-wheel-drive when running in electric mode. BMW says the car can run on the diesel engine, either one of the electric motors or any combination of the three.

The lithium-polymer battery pack sports 98 cells. It delivers 8.6 kilowatt-hours for driving the car, and BMW says the serial arrangement of cells has gross storage capacity of 10.8 kilowatt-hours. The pack weighs 187 pounds and BMW says it doesn’t need an active cooling system. BMW says the battery recharges in 2.5 hours at 220 volts.

All that tech is housed in a body designed with some serious inspiration from BMW’s Formula 1 cars. BMW says the Vision has a drag coefficient of 0.22, aided in part by the myriad vanes and ducts. People are going to love it or hate it, but you’d expect nothing less from BMW even without controversial designer Chris Bangle around anymore.

So far the Vision is just a concept. Still, BMW has made it clear it plans to make sustainability a cornerstone of its lineup, so we’re sure to see some of the technology in road cars before long.

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Balloons lift downtown house

BY JENNA BROGAN

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SANTA CRUZ -- When Sunrise Rotary Club President Michael Bethke read about Colby Curtin, a 10-year-old girl from Huntington Beach whose last wish before succumbing to vascular cancer in mid-June was to see the Disney-Pixar movie "Up," he was moved to re-evaluate his priorities.

"Everyone is worried about seemingly insurmountable problems, and yet that girl's only wish was to watch a movie," said Bethke.

Intrigued by Curtin's enthusiasm, Bethke saw the film and was inspired to pursue the seemingly impossible.

He would raise money for children with terminal illnesses by lifting his house with balloons.

Already in need of a new foundation for his downtown home at 229 Union St., Bethke said it was not hard for him to get his wife's permission for the project, which will require the assistance of four hydraulic lifts.

"She has heard a lot of crazy ideas over the years, but I got her blessing immediately," Bethke said, chuckling. "She just kind of rolled her eyes."

"Raising Hope by Raising a House," is scheduled for 4 p.m. on Sept. 5, and will benefit Children's Hospice and Palliative Care Coalition, an organization dedicated to improving care for children with life-threatening conditions, and their families.

The goal is to sell 17,000 helium balloons at $20 each, with 100 percent of donations going to the 17,000 children in California in need of hospice and palliative care.

So far, the event has raised $11,000 thanks to outlets such as Facebook and Twitter. But to make an impact on the lives of these children, Bethke will need all the help he can get.

The balloons, to be provided by Woodworm Party Store, can be bought on the event Web site, where donors can personalize and dedicate a balloon to someone.

"We can sit around and be sad about their illnesses or we can honor these kids," said coalition co-founder and co-executive director Lori Butterworth. "They don't want to be pitied, they want to be loved."

While Butterworth was initially skeptical of the logistics of the event, she was won over by Bethke's vision.

"Kids love balloons, they love magic and they love the idea of houses lifting off the ground," said Butterworth.

The day of the event, the public will be able to watch the house-raising on Bethke's street, which will be blocked by balloon archways at each entrance and a live-music stage for the Ho'omana Hawaiian band.

The mayor and others are scheduled to speak, and though it would be too difficult for children under the coalition's care to attend, Bethke plans to set up a live feed of the event on the Internet for the kids to watch.

"Even in the last stages of life, these kids are unselfish," said Bethke. "This is our way of celebrating them."

HOW TO HELP
buy a balloon
VISIT: balloonsforhope.com
COST: $20 each
BENEFIT: Children's Hospice and Palliative Care Coalition

IF YOU GO
raising hope
by raising a house
when: 4 p.m. Sept. 5
where: 200 block of Union Street, downtown Santa Cruz
contact: Michael Bethke, raisinghope@mikebethke.com

Source

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